Digital Fine Art Portfolio
Thirty-one
worlds
Everything in this collection was built alone — anatomy from books, colour from trial and error, technique from sheer refusal to stop. Thirty-one works, and counting.
Featured Works
the best of the collection
Eye Studies
The Universe in
Every Iris
Mirab's signature series — each eye is a world unto itself. From forest reflections to the cosmic void, these hyper-detailed studies push digital art to the edge of photorealism.
View Eye StudiesWildlife
Presence
The raw intensity of the natural world, rendered with obsessive detail. Each hair, each scale, each feather placed with intention.
View Wildlife
Portraits
Alive but Gentle
People captured at the intersection of light and emotion. From charcoal-style shadows to luminous skin — portraits that breathe.
View PortraitsLandscapes
Atmospheric
& Vast
Beyond the microscopic detail of her eye studies, Mirab's landscapes capture scale — the weight of mountains, the stillness of snow.
View Landscapes
About the Artist
Hello, I'm Mirab
Art found Mirab before opportunity did.
Growing up without access to formal education, art classes, or even consistent supplies, she taught herself everything — anatomy, colour theory, digital technique — through instinct, repetition, and an unshakeable compulsion to keep making things. What others learned in studios and workshops, she pieced together in the quiet hours of a small room she shares with her mother in Thailand.
The eye studies came first. Something about the iris — the way it holds light, the way it can contain an entire landscape or a galaxy — spoke to what she was trying to say without words. The wildlife followed. Then the portraits. Thirty-one works, and counting.
She has never stood in front of a painting in a gallery. She has never had a mentor sit across a table and correct her technique. Every piece in this collection is the product of someone who had no path and made one anyway.
Mirab is currently pursuing opportunities to study formally for the first time. She dreams of an environment where art is not just something you survive with, but something the world helps you build.
" Art has been my teacher, my companion, and my proof. I never had the resources — only the need to make something true. These works are what that looks like. — Mirab
My Process
From the first line
Every work begins as a study. A line becomes a form, a form becomes a world.
Without classes, process became her own. Each piece begins with pure observation — hours studying reference, anatomy found in books and online, colour relationships worked out by trial and error. The sketch is not a plan. It is the first conversation.
The digital medium came later — a tool for extending what her hand already knew. The technical complexity you see in the finished works is built on this foundation: a practice of looking, closely, at everything.
